A Photo Editor posted 9 days ago an interview with Jean-François Leroy, founder and current director of Visa Pour l’Image, the Perpignan photojournalism festival.
I’ve taken an excerpt from Monsieur Leroy’s words. Here it is:
I’m sorry to have to say this yet again – everyone’s getting sick of it, and I’m told that I’m biting the hand that feeds me– but we have to stop saying that the press doesn’t have any money! The press can find the money to buy exclusive rights to celebrity photos. A couple of years ago, one weekly magazine paid 150,000 euros for the exclusive rights to Jean-Paul Belmondo’s wedding; and they can’t fork out 10,000 euros to send Stanley Greene to Afghanistan for a month! It just makes me wonder. Fifteen years ago, when a newspaper commissioned a report, the paper would insure your equipment, pay for 150 rolls of film, cover all the lab development costs, and so on. Nowadays, you do digital work, your cameras aren’t paid for, you’re not even given a memory card – nothing. A digital camera costs a lot more than the camera you had fifteen years ago. And we’re not supposed to voice any criticism? Over the same period, the price of a page of advertising has gone up by a factor of 2 or 2.5; compare that to the prices paid for photos which have gone down by a factor of 2 or 2.5! Christophe Calais told me that he wanted to go to Kenya to report on the events there; he called a magazine he often works with, and was told “Listen, if you get the chance to take a shot of Obama’s grandmother, and if we do a double-page spread, I’ll give you 300 or 400 euros.” Hell! He wasn’t going there to do a Grandma Obama celebrity shoot! That’s the real problem, you see. Everything has become celebritized, everything is nice and clean, and we’re told that we mustn’t show any violence, but celebrities instead.
Christophe Calais wanted to go to Kenya to report on the events there; he called a magazine he often works with, and was told “Listen, if you get the chance to take a shot of Obama’s grandmother, and if we do a double-page spread, I’ll give you 300 or 400 euros.”
Taking into account the fact that lighTO pretends to be a magazine, a real, printed one, someday (not that far in time, by the way), I’m printing this words at 100pt and sticking them to every single wall I see around me. You know, just a reminder of what we don’t want to, and we should never do. If somebody finds that lighTO is ever doing something like that, you’ve got my permission to come and slap me around with a huge trout.
Tags: Afghanistan, Kenya, Jean-Paul Belmondo, Stanley Greene, photo editor
Discussion
No comments for “Visa Pour l’Image director talks about mags”
Post a comment